The calculator will automatically adjust for any 'focal length multiplier' or 'field of view crop' for the selected camera. In addition, there will be an area just in front of and behind this plane that will appear reasonably sharp (according to the standards of sharpness required for the particular Focal lengths of digital camera lenses are listed here. This total region of adequate focus represents the Photograph and the degree of enlargement of the negative). The Camera (Ansel Adams Photography, Book 1), Ansel Adams, Tenth Edition, 1995 is simply a fancy term that means the distance setting at any aperture that produces the greatest depth of field. How to Use Your Camera, New York Institute of Photography, 2000. frame and running time calculator Use the film footage calculator to estimate the running time of your reels if you know how many feet of film you have, or estimate feet of film if you know the running time and frames per second. If you set the camera's focus to the hyperfocal distance, your depth of field will extend from half of the hyperfocal distance to infinity-a much deeper depth of field.Ĭomplete Digital Photography, Ben Long, 2012.Īnother important control for landscape photography is depth of field, the amount of sharpness in a scene, from close to the camera into the distance away from the camera. Next to the sidechain button, you can select the headphone & EQ button.The calculator works with any frame rate and can be used for Super 8,16mm, 35mm, 35mm 3-perf, and 65 mm film. This will allow you to sculpt your sidechain input before it goes into the compression phase of the process. The headphone button allows you to listen to the EQ’d/filtered signal that is going into the compressor. You can choose from a number of filters, but the most likely one you’ll use when sidechaining the Bass to the Kick, is the low pass filter, or the low shelf. Using this you can remove some of the Bass from your sidechain input signal, which can be useful when you don’t want the sidechain compression to overload, and last too long. Specifically Bass can be a tricky frequency, and due to its loudness, it can cause the compression to squash your signal longer than it needs to be. If you filter out your lower-end bass, up to 100-200Hz, this leaves the body of the Kick and gives a more clean, precise sidechain compression. Sometimes you may want this longer, heavy effect that’s not as precise. Especially in EDM when you want the sidechain to be heavy, it’s useful to leave much of the low end in, so you can get that long pump effect you want. Some tutorials online say that the EQ can affect where the frequency range of your sidechain is ducked, however, this isn’t true. The compression will duck the entire signal no matter what. Filtering just gives you a slightly altered input that may change the speed and precision of your sidechain compression. If you want to duck a certain frequency range, you can add multiband sidechain compression, which we’ll explain further down (really useful for sub heavy sidechain Bass compression). Next, you’ll want to start changing the threshold, attack & release settings on your compressor.įirst, change the threshold of your compressor. The threshold will set the db level at which your compressor will begin to react. Without a threshold level, you won’t hear any compression, so you need to set this first.ĭepending on your signal, you might have different settings here.
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